Lucia Mense, Soloist, Chamber Musician
and Pedagogue, Cologne
As a musician cannot touch his listeners without being touched himself, he should be able to perform and figure all the effects he wants to evoke in his listeners. (C. P. E. Bach)
Interpretation of baroque music according to the historical performance practise; sound shaping and articulation; musical rhetoric, effects and their performance; ornamentation.
In addition to individual lessons there will be the possibility to play chamber music with participants of the parallel courses for baroque violin, baroque mandolin and harpsichord. You are welcome to bring your own choice of music. A list of proposals for chamber music can be send on request.
The course offers